Tracing TRACK
This a little booklet made about and inspired on the exhibition TRACK by S.M.A.K. in Ghent 2012. All presented images are a page/work from the booklet.
dated 2013 until 2013
(click on an image to enlarge an artwork)
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page 1-2
2013This is an interpretation of Tadashi Kawamata's Favela's in the turning basin at the railway station of Ghent-Dampoort.
page 3-4
2013This is the rag I used to clean my brushes while painting the Favela's at page 1-2. Behind one of the corners I wrote a remark about the Favela's of Tadashi Kawamata in Gent and the state they where in: ''Favela's Emergency homes- normally; Made by and for the poor/homeless. In Ghent, abandoned and decayed?!?''
page 5-6
2013...And acrylic paint. This is an interpretation of Benjamin Verdoncks '' Treehouse'' The house is based on the social homes behind the tree.
page 7-8
2013I combined a collage with ink here. Here I have incorperated a picture of the artwork of Ahmet Öğüt - after a work of Reneé Magritte but with the Vooruit on top of the rock- in a tree like Benjamin Verdonck did with his social home.
page 9-10
2013This is inspirered on the the artwork of Michael Elmgreen & Ingar Dragset.
page 11-12
2013This is inspired om Benjamin Verdoncks ''Treehouse''. End the first statement of TRACK: A city has no boundaries.
page 13-14
2013Inspired on an art work of Mark Manders
page 15-16
2013This is a picture I made of the artwork of Michael Elmgreen & Ingar Dragset . It is the same picture I used to make the work on page 9-10. And the third statement of TRACK: TRACK has no boundaries.
page 17-18
2013This is an impression of the atmophere in the villa, where Mark Manders had held is exhibition during TRACK.
page 19-20
2013This is an impression of Massimo Bartolini's open-air library in the vinyard of the Sint-Pietersabbey.
page 21-22
2013Another impression from the villa of Mark Manders and the forth statement of TRACK: Act, think, discover,reveal and contradicting and experiencing the city, art and the public space.
page 23-24
2013An interpretation of the kiosk at the Citadelpark in Ghent with Els Wuyts announcing TRACK.
page 25-26
2013Ahmet Öğüt's work, compared with the shape of a heart.
page 27-28
2013Relating to the favela's of Tadashi Kawamata
page 29-30
2013TRACK a contemporary city conversation -> The urban response! And a picture of one of the installations by Mark Manders
page 31-32
2013One of the lanes with trees in front of the Sint-Baafs abbey, where Mircea Cantor exhibited his characteristic wooden house
page 33-34
2013The list with the 13 statements of TRACK.
page 35-36
2013De sixth statement from the TRACK manifest in Turkish: TRACK acts as a generator of dialogue, between the city, its inhabitants and its visitors. It interacts with different communities of all kinds and calls for participation. And another picture of one Mark Manders installations.
page 37-38
2013An interpretation of the installation by Erik van Lieshout in which he has to flee as an economic immigrant from Holland to Belgium.
page 39-40
2013Brainstroming about TRACK
page 39-40a
2013A collage of; the seventh statement of Track in Chinees: 'TRACK incites people to shift modes of perception and to embrace the visionairy and critical potential of art.', a picture of the SMAK museum as TRACK and the map of TRACK.
page 41-42
2013An impression of the ornaments in the garden of the Sint- Baafs abbey.
page 43-44
2013An work inspired on Pilvi Takala's project, about the local tradition of pigeon fancying and the pigeons that have gone missing.